Rape culture and ostentatious violence: an analysis from the artifactuality of funk.

funk3

 

Abstract

BRILHANTE, Aline Veras Morais; GIAXA, Renata Rocha Barreto; BRANCO, July Grassiely de Oliveira  e  VIEIRA, Luiza Jane Eyre de Souza.

Rape culture and ostentatious violence: an analysis from the artifactuality of funk.

Interface (Botucatu) [online]. 2019, vol.23, e170621.  Epub 21-Jan-2019. ISSN 1414-3283.  http://dx.doi.org/10.1590/interface.170621.

The present study analyzed, from the perspective of social constructionism, funk songs with a broad media repercussion and significant sharing in streaming services, with lyrics that refer to sexual violence: Baile de Favela and Malandramente. The study was carried out through dialogic analysis and followed by the development of a dialogic map. The results point to the construction of the perfect victim, which trivializes sexual violence by blaming the victim. It also erotizes childhood in the construction of victims and perpetrators, whose puerility is mocked by vulgarizing sexual violence and the exaltation of collective rape, exploring possibilities of sexual relations permeated by gender violence. The findings reveal an alarming scenario. Despite the important role that funk plays as an emancipatory cultural practice, the meanings of sexual violence in the lyrics of the songs exposed the development of conflicting relationships between genders as a social norm.

Key words : Rape; Rape culture; Gender violence.

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